January 19th, 2012
Robert Ryman, Surface Veil, 1970-1971
22 x 29 inches, oil on fiberglass with waxed paper frame and masking tape. Collection SFMOMA.
“The real purpose of painting is to give pleasure.”
–Robert Ryman
When one’s thoughts turn to the topic of white paintings, artist Robert Ryman comes easily to mind. Ryman, born in 1930 in Nashville, was first a jazz [...]
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February 9th, 2011
Echoes of Tulips Summer, 36 x 36 inches, ©Nancy G. Cook
Nancy Cook is a North Carolina artist whose work I first became aware of a couple of years ago when I saw her piece in the SAQA 20th Anniversary Trunk Show. Titled Ankle Twister II (photo here), it was a tiny gem of a quilt [...]
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November 23rd, 2010
Edge of Information: A Cityscape of Paper & Cloth, 48 x 36 inches, ©2009 Leslie Tucker Jenison
Last summer, when I was in Ohio for the taping of Quilting Arts TV, I had the pleasure of meeting several artists who were also there to tape various segments on their own work. One of these was Leslie [...]
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September 30th, 2010
Where I Come From, 8 x 10 inches, ©2010 Linda Sharp
Yesterday I received this marvelous jewel of an artwork in the mail. It’s my purchase from the SAQA Benefit Auction. I’d had my eye on it from the beginning, and now I’m so thrilled to have it. The photograph doesn’t do it justice; I wish [...]
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May 9th, 2010
Joan at SFMOMA. Photo by Deidre Adams.
Last week, I had the great privilege to spend several days visiting my friend Joan Schulze. Joan is an internationally recognized artist known primarily for her quilts, but she also works extensively with paper, making collages and artists books, and she is an accomplished poet. Her work has just [...]
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March 6th, 2010
Whistle, 48 x 48 inches, oil on canvas, ©2010 Amy Metier.
Palimpsest
Amy Metier at William Havu Gallery through April 10, 2010
1040 Cherokee St.
Denver, Colorado
In her third solo exhibition at the William Havu Gallery, Metier fills the space with exuberant abstractions of objects from her studio, other artist’s studios and recent travels. These shapes are drawn with [...]
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November 29th, 2009
Gordon Matta-Clark, Splitting, 1974
Completion through removal. Abstractions of surfaces. Not-building, not-to-rebuild, not-built-space. Creating spatial complexity, reading new openings against old surfaces. Light admitted into space or beyond surfaces that are cut. Breaking and entering. Approaching structural collapse, separating the parts at the point of collapse.
— Gordon Matta-Clark, 1971
I’ve just spent a couple of weeks researching [...]
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